Why it works:
- Fast-paced editing to set the pulse.
- Montages with the filmmaker running across the frame in different countries.
- Makes you want to see more by this filmmaker.
- Music doesn't overpower the message or the visuals.
- The variety
Things usually work out better than you plan. When you're shooting a film you're so close to it, it rarely lives up to your expectations while you're there. You always want it to be better, more perfect. When you see a cut, maybe two or three months later, you come to it fresh. It's generally much better than you thought it would be.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph. If you can light and photograph the human face to bring out what's within that human face you can do anything.
The prep period is especially important. Joel and Ethan Coen and I really enjoy it. By the time we're on the set, we're discussing not what we're doing that day but rather something we're doing later that may be a problem.
"Sadly, some people think of good cinematography as a beautiful sunset or a spectacular vista. I believe we affect the audience in a much more subtle way. We're manipulating them emotionally with light, darkness, colors, contrast and composition. I know the Dogme 95 theories, but I believe actors respond to light. Just look at a Rembrandt or Caraveggio painting or any of the Dutch masters, and tell me light isn't important. The pictures have to be true to the narrative, but I like to test the boundaries and see how far I can go."
"Film has an enormous amount of exposure latitude and dynamic range, which gives us infinite creative ability in creating images. I can underexpose it by 3 stops and overexpose it by 5 stops within the same frame and see the entire spectrum on the screen. That's simply not possible in any digital format I've seen. Every digital camera is trying hard to emulate 35mm film, and there's a reason for that."
"Universal Pictures’ Syfy Films division has optioned the rights to the sci-fi short Beyond, with the short’s director on board to produce and helm the big-screen translation."