Showing posts with label tips. Show all posts
Showing posts with label tips. Show all posts

Wednesday, September 18, 2013

Robert Rodriguez's tips for filmmaking on a low-budget

Robert Rodriguez shot to Hollywood fame soon after making El Mariachi in Mexico for $7,000 with some friends.  His DVD commentary for El Mariachi provides some great tips on how to film a low-budget or no-budget movie.

  1. Think of creative ways around spending money.  Refuse to spend money.  Once you start spending money, it's a hose that hard to shut off.  If your friends know that you don't have any money, they won't ask to be paid.
  2. Take stock in what you have.  Your father owns a liquor store, make a movie about a liquor store.  Your mom works at a nursing home, make a movie about a nursing home.
  3. Use good pieces of a take for action sequences.  Rodriguez filmed on 16mm and didn't have enough money to re-shoot mistakes.  When an actor tossed a guitar onto a balcony and missed, he used the first half of the take when cutting the scene and then showed other angles of the action happening.
  4. Use your actors.  Instead of using a film crew, use your actors.  Chances are they are standing around waiting for you to film something.
  5. Keep the lighing simple.  Use one or two light setups.  Rodriguez used two 250 watt clamp lights bought cheaply from a hardware store for indoor lighting setups.
  6. Get 5 shots in one take.  Use a zoom lens on your camera.  During dialog scenes, zoom in closer for the second line of dialog, then zoom in for an even tighter shot.
  7. Borrow equipment, don't buy and don't rent.  Borrow a camera from a friend. Buying and renting are too expensive and will take away money from other small things that can help improve the quality of your movie.
  8. Get sound effects after the video takes.  While filming, Rodriguez did other takes without rolling the camera to get natural sound effects for each scene.  Usually on a low-budget movie it's easy to notice bad sound.
  9. Film actors with tight schedules separately.  If your friends are acting in your movie and have regular jobs, chances are they don't have time to spend filming for an entire day. When shooting dialog scenes, film each actor separately if time is an issue.
  10. Know what you want before you shoot.  When you don't have money, you have to know your movie before you shoot.  Anticipate the scene well enough that you can make editing decisions while shooting to minimize time and money spent.
Want to learn more?

The Robert Rodriguez: 10 Minute Film School (The 1st & Original) - YouTube
"Don't dream about being a filmmaker, you are a filmmaker."
* Creative and technical, you're unstoppable.
* Make a screenplay that you can actually make without having to make your parents poor.
* Watch your movie on a blank screen....Imagine your movie, shot for shot, cut for cut. Write down the shots that you see.
* Stop aspiring.  Start doing.


The Art of making the Movie - YouTube
Behind the scenes of From Dusk Til Dawn.

Robert Rodriguez - Ten Minute Film School - YouTube
Special effects used to save money when making Desperado and Once Upon a Time in Mexico.

Trivia time

El Mariachi was filmed in three weeks in August 1991 and had a limited opening (film festivals) in July 1992.

Desperado was released in 1995 on a $7 million budget and grossed $25 million in the U.S.  It was also filmed in Ciudad Acuña, Coahuíla, Mexico, the same small town that Rodriguez picked to film El Mariachi.

Once Upon a Time in Mexico, released in 2001 was filmed for $29 million, it grossed $56 million in the U.S. and $41 million in other countries. [BoxOfficeMojo]

Thursday, August 22, 2013

20 Cinematography Tips by Roger Deakins


One of the modern masters of cinematography, Roger Deakins, shares his tips on cinematography.

Deakins is best known for The Shawshank Redemption, Fargo, O Brother Where Art Thou, The Assassination of Jesse James, and Skyfall.  Sadly, he has been nominated for 10 Cinematography Oscars and not won a single Oscar award yet.

He has worked on 11 movies with Joel and Ethan Cohen and five of his Oscar nominations were for Cohen brothers' films.

Below are my favorite tips from him, and you can find the full list at the link below:
20 Tips by Roger Deakins - Burak Oguz Saguner - Blog

You Must Discover Your Own Style

Work Inside Your Practical Limits

I think the most important aspect of shooting documentary is to make use of what light is available simply through your positioning of the camera - and the subject if you are controlling what you are shooting. For me, using extra equipment, whether it was a tripod or a reflector, was usually a distraction and counterproductive.”

"Cinematography is More Than a Camera"

There is No "Right Way" or Expected Career Path

“If you work your way up you might find it easier financially. Also, you will have time to learn your craft and become confident in what you do. On the other hand you may well find youself stuck for some time at one level and find it hard to make the jump from an assistant to an operator for instance. If you try to start shooting right away you may find yourself waiting a long time between pay days. Have you a showreel? Friends that might give you a break? A family that you need to support?

I never assisted. I went to film school and started shooting right away after that. Well, to be honest I couldn’t get work as an assistant so I called myself a cameraman. I found it no easier to get work as a cameraman but at least I felt better about myself. It was probably 6 months before I got my first paying work but it built quickly after that.”

Internships Are Scarce, Learn By Discovery

Know What You’re Talking About

“I think you need to be very familiar with grip equipment just as you need to be familiar with the range of lighting units available; otherwise you might ask for something that is really impractical or might not produce the right result. It is a Key Grip’s job to come up with a technical solution to a task and also the most efficient way of achieving it but it is the cinematographer’s responsibility to know if the concept will work in the first place. I think this requires a general understanding of the equipment to hand and it’s various usage.”

Plan Ahead with Your Crew

It’s Your Job to Find a Way to Work with Others